Review: Assassin’s Creed: Revelations
- Developer: Ubisoft Montreal
- Publisher: Ubisoft
- Platforms: Xbox 360, PS3, PC (Reviewed)
The Assassin’s Creed series has to absolutely be one of my favourite new IP’s to be released this console generation (last years Assassin’s Creed: Brotherhood was second only to Mass Effect 2). Though I was admittedly somewhat late to the party – I only got the first Assassin’s Creed just a few months before the second instalment was released. When I first started Assassin’s Creed 2 I figured it’d be a similar deal to the first game – you play as a new Assassin, do some quests and then in a few years time Assassin’s Creed 3 will be released and we’ll be playing as someone else. Little did I know that I was about to spend the next three years playing as one of my favourite video game characters of all time.
You can argue all day about whether or not you think the plot in Assassin’s Creed is any good or not – I personally enjoy the stories of the Assassin’s themselves (Ezio and Altair) far more than the main, overarching plot of the series with Desmond and the modern-day Assassin’s and Templars, but as far as I’m concerned Ezio is a fantastic character, and it’s great that, as players, we get to live out the key events of this one man, from birth to well, I won’t spoil the ending of the game for you.
I’m very much fond of the idea of living out one characters life – and Assassin’s Creed is in a unique position where the end of one characters journey doesn’t necessarily mean the end of the series. Assassin’s Creed has almost unlimited potential to go on for as long as it likes – it basically has the entirety of human history to create stories out of. To that end, to see one character grow from an enthusiastic, womanising young man to a much older, wiser, and (in my opinion) somewhat jaded character makes Revelations one of the most humbling games I’ve played in recent years. It’s a real shame that I can’t really go in to more detail on my opinion on the matter without totally spoiling the game – but I nevertheless feel that people who have played though Ezios adventures will very much appreciate and enjoy his final instalment, and suffice it to say that “Revelations” is a perfectly apt title for this chapter of the series.
Revelations takes us away from Italy and takes us to Constantinople – the play space feels roughly the same as Rome in Assassin’s Creed: Brotherhood though the game isn’t entirely limited to this one location, thanks to some flashbacks that show you what happened to Altair after the end of the first game. Much like other cities in the game, Constantinople proves to be a great location for the series, with plenty of rooftops and walkways to free run and sneak around in. Getting around is very much similar to how it’s been in the previous games, though Ezios new Hookblade allows him to zip-line between certain buildings. Though the free running ability mostly works well, there are still some occasional issues with it – sometimes Ezio (or other characters) will exhibit some strange behaviour in certain places (for example in the video below, Ezio starts moving down a ladder when I’m pressing up), and there will be some situations where you can’t help but wonder to yourself “Ezio, what the hell are you doing?”
In fact, most of Assassin’s Creed: Revelations is similar to its predecessors – combat is still mostly blocking and counter blocking, you still need to renovate shops and landmarks to earn money, and you can still recruit, train and summon Assassin’s to help you. One of the new additions to Revelations is a base defence mini game that you can play. If you get too notorious the Templars will take notice of you and attack one of your Assassin bases, in which you have to command your army of Assassin’s to defend the base as waves of enemies approach. It’s a fun game to play, though if you play your cards right you may never even see it beyond the mandatory tutorial mission.
Which is perhaps the biggest problem with Assassin’s Creed – there’s a decent amount of content here, but you may never see or use all of it unless you’re trying to 100% the game. The main story is about in line with the length of the other games (maybe a bit shorter), and there are abilities and tools at your disposal that you might completely forget about when you’re just focussing on completing the story. To get the most out of Assassin’s Creed it’s absolutely worth taking your time to explore all of your options before you jump in to the next story mission. Bomb Crafting is an excellent new addition to the game, but I found that I very rarely used it. Is that the fault of me, as the player for forgetting to use it? Or the games fault for failing to really provide you with a compelling incentive to use these abilities? I’m not so sure.
Graphically the engine that Assassin’s Creed is running on is starting to show its age a little – the game doesn’t necessarily look ugly, there are some beautiful moments in the game, but I’m not at all a fan of the orange fog that’s often seen in the city during the day, and when you’re on top of a tall building you start to notice a lot of familiar patterns that can make Constantinople look a little bland from a distance, but what’s here is certainly serviceable, though strangely enough when I look back, I still think that Assassin’s Creed: Brotherhood is the best looking game in the series.
As always the games sound design is superb – a lot of the familiar sounds are there, the voice acting is as good as it’s always been, and the soundtrack (which according to iTunes, contains 80 different tracks) is incredible once again, a definite treat for those holes on the side of your head for sure.
Much like its predecessor, Revelations contains a multiplayer mode – though it’s mostly similar to Brotherhood. If you liked the multiplayer there, then you’ll like it here. If not, then you’re out of luck.
But as is the case with the Assassin’s Creed series – this instalment is similar to previous titles with some minor improvements. Fans to the series are sure to enjoy the epic conclusion to Ezios story arc, but if you never cared for Assassin’s Creed then Revelations is unlikely to change your mind. Lets just hope that the next Assassin that we get to play as is at least half as likeable as Ezio has been!
What the game looks like
Assassin’s Creed: Revelations in action
Good: Satisfying conclusion to Ezios story, incredible soundtrack, minor but worthwhile additions made
Bad: Free running system is about due for some fixes and tweaks, graphics are starting to look a little dated